Grins, Giggles, and Guffaws for All

by Annie Sadovsky Koepf

Pinocchio is a fairy tale that children and adults are all very familiar with, so what could be new? Tyler West’s adaptation at Live Theatre Workshop is not only novel, but highly entertaining for all ages. From the very beginning when we are asked, albeit non verbally, to silence our phones, and mind the exits, the audience is drawn into the world of make believe. Under the direction of Angela Horchem, who is also the mask and puppet designer, we are enchanted for an hour that goes by all too quickly.

Hannah Turner as Pinocchio and Lorie Heald as Geppetto. Photo courtesy of Live Theatre Workshop.

Hannah Turner as Pinocchio and Lorie Heald as Geppetto. Photo courtesy of Live Theatre Workshop.

The masks and puppetry are the highlights of the show. Each one is individually crafted to highlight the person or animal that it embodies.   The puppeteers were visible throughout the production, but this did not distract from their efficacy. The cricket was especially convincing due to the many ways it was able to move, and the apt handling by Lorie Heald, Naima Boushaki, and Kyleigh Sacco. Each handler was able to convey the cricket’s persona in both a lively and entertaining manner. The sounds the cricket made while sleeping had the audience in stitches.

The physical acting used throughout the show comes in as a close second favorite part of this show. Lorie Heald’s background in mime was evident as she portrayed Geppetto, as well as several other characters. Boushaki, Sacco, and Turner all used their bodies skillfully as well, to reveal not only the actions but feelings behind whoever they were embodying. Each character had very specific movements to solidify their individual personalities. The charisma that the actors used was endearing to the entire audience. Director Horchem was successful in relaying the central theme of Pinocchio, “everyone is unique”.

This show uses an entirely female cast to portray all the characters. The director is female as well. Although Geppetto is referred to as male, and Pinocchio as a boy, the use of the clever masks and gender-neutral costumes really don’t make this an issue. It is refreshing to see that gender does not need to be used when casting is done in a play. What matters is the efficacy of the actors breathing life into the roles.

Michael Marinez composed the score, and the catchy tunes added to the light-hearted atmosphere of the show. The lyrics reinforced the themes of honesty, kindness, family, and friendship that this fairy tale uses to teach these universal values.

The set and costumes were minimal but very effective. Fur coats for the cat and fox were a delightful bit of fashion flair. The use of shadow to portray some of the scenes was convincing and added to the humor. A large trunk that was carried on to the set helped to set the stage for a time period in the past.

I don’t know who enjoyed the show more. The children in attendance were enthralled and often squealed with delight. Adults were equally entertained. This performance really is one for children of all ages. 

Pinocchio plays at Live Theater Workshop on Sundays at 12:30 PM through October 20th. Ticket prices are $7 for children and $10 for adults. Tickets are available on the website livetheatreworkshop.org and also by calling the box office at 327-4242. The box office is open Tuesday through Saturday 1:00 – 5:00 PM, and one hour before showtimes.

Be simultaneously charmed, offended, and amazed at Gutenberg! The Musical!

by Gretchen Wirges

Carson Wright as Bud and Tyler Wright as Doug. Photo courtesy of the Southern Arizona Performing Arts Company.

Carson Wright as Bud and Tyler Wright as Doug. Photo courtesy of the Southern Arizona Performing Arts Company.

Weird.
Irreverent.
Meta.
Nerdy.
Genius. 

That would be my laundry list of words to describe Gutenberg! The Musical!, written by Scott Brown and Anthony King, as the debut production for Southern Arizona Performing Arts Company. It’s the perfect show for the person who doesn’t take themselves, or their love of musicals, so seriously that they can’t have fun exploring the tropes and cliches often found in the world of theatre. 

Gutenberg! The Musical! is a musical about making a musical. Writers Bud and Doug (played by Carson Wright and Tyler Wright respectively) perform a whirlwind mock-up of their show about the inventor of the printing press, Johannes Gutenberg and the kinda sorta, probably made up, wikipedia-sourced journey of his invention. The show starts with Bud and Doug introducing each other, the musical, and the fact that there are Broadway producers in the audience who hopefully will provide a nod of approval and a contract once they’ve seen the audition. As it progresses, Bud and Doug take on the roles of a variety of characters, delineated by a displayed cache of trucker hats emblazoned with the character’s name (Woman, Beef Fat Trimmer, Daughter, Gutenberg, Monk #2, and more). 

Carson and Tyler portray their characters with a grounded humor reminiscent of Will Ferrell and John C. Reilly. There is a beloved earnestness and sincerity that permeates their comedic choices, making them believable and yet ridiculous (in all the best ways). This groundedness is what really sells the rest of the often cliched wrongness of the story they’re trying to tell. Carson has a fantastically confident agility about him that allows him to glide effortlessly between characters both in voice and in physicality. Tyler has a pointed seriousness about him that gives him the unique ability to deliver absurdity with beautiful patience, keenness, and impeccable timing.

Given a suggested PG-13 rating; misogyny, antisemitism, and abusive relationships are just some of the interwoven themes of the made-up musical, but because of the grounded portrayal by Carson and Tyler, and the truth of the tropes of which they’re making fun, I found myself laughing out loud again and again. Okay, there may have even been a snort (or two). Reminiscent of shows like Book of Mormon and Avenue Q, the sometimes shock value of what was being said, was absorbed by the sincerity of the actors’ spot-on delivery and the super clever, word-nerd level lyrics.

Carson Wright as Bud and Tyler Wright as Doug. Photo courtesy of the Southern Arizona Performing Arts Company.

Carson Wright as Bud and Tyler Wright as Doug. Photo courtesy of the Southern Arizona Performing Arts Company.

Carson and Tyler, billed as both directors and designers on the show, were able to do what few self-directed casts can achieve. Often it’s difficult to step outside of the creative brain to add a critical eye to the overall performance. But this production doesn’t suffer from that difficulty. The choreography is prudent and funny and a well-oiled machine. The finesse they display in telling both stories (both of the writers and the actual musical) while physically shifting hats, props, and each other, was incredibly deft and polished. All of this was accented and made even more magical by the actors’ incredible singing voices and their equally talented musical accompanist, Khris Dodge.

The show is being performed at Unscrewed Theater, known typically for its improv comedy. The sparse black-box style theater made for a perfect backdrop for the show. Lighting was sometimes lacking, but almost gave the overall intention of the show a bit more integrity as it’s intended to be a grassroots, self-produced show. There were a few times when there were props or choreography that took place on the proscenium or floor of the stage when I couldn’t see what was happening. This was only frustrating because I didn’t want to miss any of the action. 

Go see Gutenberg! The Musical! Laugh at the jokes, sing the songs, and allow Carson, Tyler, and Dodge to simultaneously charm, offend, and amaze you with their utterly brilliant performance. 

Gutenberg! The Musical! plays at Unscrewed Theater, 4500 E. Speedway Blvd., for only one more weekend with remaining shows on Thursday, Aug. 22 at 7:30 p.m., Saturday, Aug. 24 at 2pm, and Sunday, Aug. 25, at 2pm.

Tickets are $25 general admission; $20 military, students, teachers. For details and reservations visit www.sapactucson.org, email boxoffice@sapactucson, or call 520-780-6119.